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Uriel
Orlow has exhibited and published in the UK and internationally.
This site contains an online archive of selected work by Uriel
Orlow. |
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The Benin Project
by Uriel Orlow (2007)
Published by future perfect
(London) in an edition of 500
48pp, full colour, 170 x 245mm, English, ISBN 978-0-9557361-0-0
The Benin Project documents a body of work comprising a 7-screen video installation, a film, a series of photographs and a series of etchings made in 2006-7. With an essay by Gilane Tawadros. Design by Ben Branagan. Buy |
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Deposits
by Uriel Orlow (2006)
Published by The Greenbox
(Berlin/Zurich) in an edition of 1000
128pp, full colour, 210x165mm, English/German, ISBN 3-908175-12-7
»Deposits« documents four
video and photographic works by Uriel Orlow, presenting
different facets of a singluar approach to the problematic
of making art as a means to produce
remembrance of the Holocaust. »Deposits« is
understood as a collection of these works,
but also
as an extension of their problematisation of memory
and representation.With texts by Alexander Garcia
Düttmann, Kai-Uwe
Hemken, Eric Jacobson, Michael Newman, Uriel Orlow
und Monica Ross. Design by Anja Lutz. Buy |
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What the
billboard saw / La ville mode d'emploi
by Uriel Orlow (2005)
Published in a signed
edition of 200
47pp, full colour, 105x147mm, in stamped box, ISBN 2-9700083-8-6
Artist's book published by Kunsthalle/centre
d'art contemporain Fribourg, Fri-Art on the occasion
of the exhbition Shaping the Imagination - Extra
Muros. More... |
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Re:
the archive, the image, and the very dead sheep
by Uriel Orlow & Ruth Maclennan (2004)
Published in an edition
of 1000
160pp, b+w, 120x169mm, with full colour dust-jacket, ISBN 0-9548947-0-7
Commissioned by School of Advanced Study
and The National Archives to accompany the conference
'Unleashing the Archive' held at Senate House, University
of London
on 12 November 2004. Co-published by Double agents. More... or Buy |
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Time+Again:
Critical Contradictions in Chris Marker's La Jetée
by Uriel Orlow (2002)
PhD dissertation published
in an edition of 10
367pp, b+w, 214x300mm, linen-bound, available through British Library
A case study of Chris Marker's seminal
1962 film La Jetée submitted for the degree
of Doctor of Philosophy in Fine Art, at University of the
Arts, London. More... |
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Copyright by Uriel Orlow. All rights reserved. © MMVIII
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