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Uriel
Orlow has exhibited and published in the UK and internationally.
This site contains an online archive of selected work by Uriel
Orlow. |
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Life
is More Important Than Art
ed. by Gilane Tawadros w.
introduction by Paul Hobson (Ostrich,
2007)
ISBN 978-0-9555687-0-1
An investigation of the current conditions
for making and presenting contemporary art with contributions
from Faisal Abdu'Allah, Wendy Anderson,
Stuart Brisley,
Simon
Callery, Stuart
Croft, Yara El-Sherbini, Raimi Gbadamosi, Susan Hiller,
Gabriel Kuri, David Medalla, Stephen Nelson, Uriel
Orlow, João Penalva, Zineb Sedira, John Seth, Yinka
Shonibare, Terry Smith, Alia Syed, Anne Tallentire
and Simon Tegala.
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The
Dialectical Image: La Jetée and Photography-as-Cinema
in The Cinematic, ed. by David
Campany (Whitechapel and MIT, 2007)
ISBN 978-0-85488-152-9 / 978-0-262-53288-4
A reader which surveys the rich history
of relationships between the moving and still image
in photography and film. With contributions by Roland
Barthes, Jean Baudrillard, Raymond Bellour, Victor
Burgin, Catherine David, Gilles Deleuze, Régis
Durand, Thierry de Duve, Sergei Eisenstein, Mike
Figgis,
Christian Metz, Laura Mulvey, Uriel Orlow, Pier Paolo
Pasolini, Constance Penley, Steve Reich, Susan Sontag,
Agnès Varda, Peter Wollen and others. Essay
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Latent
Archives, Roving Lens
in Ghosting: The Role of the
Archive within Contemporary Artists' Film and Video
(Bristol: Picture This Moving Image, 2006) ISBN 0-9539872-8-0
With essays by Eddie Chambers, Amna
Malik, Uriel Orlow, Lucy Reynolds and Erika Tan,
and illustrated case studies on works of: The Atlas
Group, Ansuman Biswas, Matthew Buckingham, Neil Cummings & Marysia
Lewandowska, Yervant Gianikian & Angela Ricci
Lucchi, Douglas Gordon, Johan Grimonprez, Susan Hiller,
Patrick Keiller, Marcel Odenbach, Harold Offeh, Uriel
Orlow & Ruth Maclennan, The Otolith Group, Erika
Tan, Fiona Tan and Mark Wallinger. Details
and Essay
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Some
Notes on Freedom of Speech and the Ethics of Listening
in Route 181 by Michel Khleifi and Eyal Sivan
in 1+1+1, issue two (London:
Double agents, Summer 2005)
ISSN 1746-6989
Published on the occasion of the exhibition The
Trouble with Talkies, at ADI Project Space,
London, May-June 2005, curated by Adam Chodzko,
Graham Ellard and Stephen Johnstone, Jaki Irvine,Uriel
Orlow, Lisa Panting and Anne Tallentire. Details
and Essay
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Chris
Marker: The Archival Power of the Image
in Lost in the Archives,
ed. by Rebecca Comay (Toronto: Alphabet City, nr.
8, 2002) ISBN 0-9730550-0-6
Essay commissioned by Alphabet City
to appear in major publication on art and theory
in relation to the archive, alongside contributions
by Boris Groys, Jacques Derrida and Bernard Stiegler,
Georges Didi-Huberman, Friedrich Kittler, Neil Cummings & Marysia
Lewandowska, Sharon Lockhart, Irit Rogoff, Jeff Wall
and others. Details
and Essay
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Hide
and Seek: On the seduction of getting lost
Unpublished catalogue essay
for canceled exhibition Let's get
lost,
curated by Jérôme Sans, to take place in
London in 1999 but never did
Catalogue text commissioned by Jérôme
Sans and Mark Lewis. Text
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...trailer...On
work-seth/tallentire
Published on Projects Arts
Dublin Website, ed. by Valerie Conor (1999) and on
Home 2 DVD, ed. by Laura Godfrey-Isaacs (2000)
Text commissioned by Vaéerie
Conor / Project Arts, Dublin. Written in Dublin during
the
making of 'Trailer' by work-seth/tallentire in May
1999. Text
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La
Jetée and the Redemptive Powers of the Image
Published in Creative Camera
(nr. 359, August/September 1999)
Being
composed almost entirely of still images but projected
as a film, La Jetée is marginal in relation
to what is commonly understood to be the cinematic,
i.e. movement–the kiné of kinematography–yet
it cannot be considered only in terms of photography
either. As such it is a seminal work combining
photography and cinema and allowing us to interrogate
the specificities of both as well as their close
interrelations.
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Copyright by Uriel Orlow. All rights reserved. © MMVIII
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