published in The Short and The Long of It, Mousse Publishing, Milan, 2011 Transnational shipping routes traverse time zones invented to synchronize the sun’s uneven impact on a globe girded by continuous capital flows. The world as calibrated in an … More
Exhibition/Catalogue Texts & Essays
While the focus of The Short and The Long of It is a real event, Uriel Orlow is more intent on permitting us glimpses than revealing the whole picture. Spilling evocative images and letting out the narrative like yards of … More
“like with everything you have to be selective, and so much is repetitive, so much” (Volunteer archivist interviewed in Housed Memory 2000-2005) This new selection of work, taken from Uriel Orlow’s material collection, what he calls purposefully obtusely ‘stuff’, focuses … More
History requires tact. For example, in the anecdotal history of Zurich’s Café Odeon we find configurations of artists, asylum seekers, radicals, war, isolationism, newspapers, censorship and reaction – chains of association and connection which might tempt us to presumptive conclusions, … More
published in The Benin Project (London: future perfect, 2007) Dispersed across the gallery space, a constellation of video monitors map the different phases in the process of brass casting by contemporary sculptors in the city of Benin in present-day Nigeria. … More
Uriel Orlow uses diverse artforms to investigate where history, place and memory intersect and resonate in the present, whether in archived documents, the physical body or in geographical locations themselves. Rather than reconstruct history as the past, for which the … More
published in Deposits (Berlin: The Greenbox, 2006) Download PDF
Published in Performance, exhibition catalogue (St Prex: Wings, 20006), pp. 2-5. We are accustomed, when thinking about memory, to move between questions of personal memory (which we do not always adequately understand as socially implicated) and the larger question of … More
Uriel calls yesterday and asks me if I want to write a brief contribution on two of his installations for the catalogue of their exhibition at ifa Galerie in Berlin. I have seen these installations and can, so I believe, … More








