Writing on Uriel Orlow

thisistomorrow 2016

thisistomorrow | Ruth Hogan | December 2016

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Art in America Dec 2016

Art in America | Gabriel Coxhead | December 2016

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2015-Artreview

ArtReview | John Quin | May 2015

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cover_Erik Bullot on Unmade Film

Erik Bullot on Unmade Film

Why summon a model based on film to organise the series of visual art works making up the overall project known as Unmade Film, Uriel Orlow’s multipart body of work that is bound up with the memory of Deir Yassin? … More

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Hanan Toukan | Continuity from Rupture | 2013

in Unmade Film, ed. Uriel Orlow (Zurich: edition fink, 2013) “By the end of the [1948] war,” writes Walid Khalidi in All That Remains, “hundreds of entire villages had not only been depopulated but obliterated… travellers of Israeli roads and … More

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Flash Art | Virginie Bobin | July 2013

Projected Histories: Uriel Orlow’s Unmade Film Virginie Bobin Centre Culturel Suisse, Paris May 3 – July 14, 2013 “I discovered that the earth was fragile and the sea light; I discovered that language and metaphor are not enough to provide … More

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Frieze | On Rupture | April 2013

by Kaelen Wilson-Goldie How artists and curators have responded to upheaval in the Arab world, from 1967 to the present day By almost any measure, last summer was terrible in Alexandria. For much of its modern history, Egypt’s second-largest city … More

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This Is Tomorrow | Matteo Lucchetti | March 2013

Uriel Orlow: Back to Back Spike Island 26 January – 31 March 2013 Review by Matteo Lucchetti In ‘Illuminations’, in the section entitled ‘Theses on the Philosophy of History’, Walter Benjamin affirms that “nothing that has ever happened should be … More

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Frieze | Unseen Blows | November – December 2012

Uriel Orlow Holy Precursor, 2011 by Amy Sherlock Review of Unseen Blows, Seventeen Gallery, London ‘By means of unseen blows, some atoms strike each other.’ Appearing on-screen in Uriel Orlow’s film Holy Precursor (2011), these words are taken from ‘The … More

Artforum November 2011

Artforum | Hans Rudolf Reust | November 2011

© Uriel Orlow 2017