thisistomorrow 2016

thisistomorrow | Ruth Hogan | December 2016

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Art in America Dec 2016

Art in America | Gabriel Coxhead | December 2016

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Unmade Film

Unmade Film

An audio-visual project about the impossibility of a film on the Deir Yassin massacre, exploring the complex ramifications of the place (2 volumes artist’s book). 22cm x 28cm (softcover) 272 + 164 pages (ill.)


ArtReview | John Quin | May 2015

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Memory Montage | An interview with Omar Kholeif

In this interview Omar Kholeif talks to Uriel Orlow about his recent project for Ibraaz Platform 008: 2922 Days(2014), a culmination of two earlier works that uncover the undocumented eight-year entrapment of 14 cargo ships in the Suez Canal at … More


A Conversation about Unmade Film

Andrea Thal: I would like to start our conversation by considering the form and the title of your body of work Unmade Film and how these relate to the contents. Over the last few years you have created works in … More

cover_Erik Bullot on Unmade Film

Erik Bullot on Unmade Film

Why summon a model based on film to organise the series of visual art works making up the overall project known as Unmade Film, Uriel Orlow’s multipart body of work that is bound up with the memory of Deir Yassin? … More



  Künstlerische Forschung. Ein Handbuch Jens Badura (ed.), Selma Dubach (ed.), Anke Haarmann (ed.), Dieter Mersch (ed.), Anton Rey (ed.), Christoph Schenker (ed.), Germán Toro Pérez (ed.) (Zurich-Berlin: diaphanes, 2015) Mit Beiträgen von Peter Ablinger, Sigrid Adorf, Jens Badura, Anette … More

radikal ambivalent

Radikal Ambivalent

Radikal ambivalent Engagement und Verantwortung in den Künsten heute Rachel Mader (ed.) (Zurich-Berlin, diaphanes, 2014) Mit Beiträgen von Helmut Draxler, Thomas Hirschhorn, knowbotiq, Verena Krieger, Brigitta Kuster, Barbara Lange, Rachel Mader, Uriel Orlow, Gerald Raunig, Johanna Schaffer, et al. Uriel Orlow … More


Rituals of Filming and the Dialogic Camera

In Moving Image Review & Art Journal, Vol. 2, No. 1 (Intellect Ltd Features, 2013). Features an essay by Uriel Orlow, “Rituals of Filming and the Dialogic Camera”. Download PDF

© Uriel Orlow 2017