|
|
Selected
One Person Exhibitions and Commissions |
| 2009 |
Neither Fish nor Fowl, Les Complices*, Zurich |
| 2008-9 |
1942 (Poznan), Jewish Museum, New York |
| 2008-9 |
In These Great Times, Blancpain Art Contemporain, Geneva |
| 2008-9 |
In These Great Times, ICIA, Bath |
| 2008 |
Uriel Orlow: New Works, London Gallery West |
| 2008 |
Black Box: Uriel Orlow, Argos, Brussels |
| 2006 |
Performance, Wings Projects
Art Space, St Prex, Switzerland (2 Person Exhibition) |
| 2005 |
Extra-Muros Project,
Fri-Art Centre d'Art Contemporain/Kunsthalle, Fribourg, Switzerland |
| 2004 |
Mnemoscapes at Galerie
Blancpain Stepczynski, Geneva |
| 2004 |
Unleashing the Archhive, School of Advanced Study/The National Archives,
London, commission of book, video and poster (collaboration with
Ruth Maclennan) |
| 2003 |
A Dance of Death and Life at
the Embassy of Switzerland, London. |
| 2002 |
Deposits at Brighton Media
Centre Gallery and Brighton Cinematheque. |
| 2000 |
Housed Memory at The Wiener
Library and the RIBA architecture gallery, London. |
| |
|
|
|
Selected
Group Exhibitions & Screenings |
| 2009 |
Zulu, Museum N. Gutmann, Tel Aviv |
| |
Swiss Art Awards 2009, Art Basel |
| |
Paradoxes and Misunderstandings, Shedhalle Zürich |
| |
Survivors and Liberators, White Space, Florida |
| |
The Hidden Trace, Felix Nussbaum Haus, Osnabrück |
| 2008 |
Historians of the Present, Blancpain Art Contemporain, Geneva |
| |
The Whole World, Tate Modern, London |
| |
3rd Guangzhou Triennial, Guangdon Museum of Art |
| |
Swiss Art Awards, Art Basel |
| |
Antarctica Starts Here, BFI Southbank, London |
| |
The Longest Day of the Year Film Festival, Whitstable Biennale |
| |
African Adventures, Tatton Park Biennial |
| |
International Short Film Festival Oberhausen |
| |
Tempo, Tempo, Opelvillen, Rüsselheim |
| |
ARTfutures, Bloomberg Space, London |
| |
Borders & Identities, Stephen Lawrence Gallery, London |
| |
IDEAL #10, Espace Croisé, centre d'art contemporain, Roubaix |
| |
The Whole World, tank.tv |
| 2007 |
Archway Polytechnic,
London (Performance and Publication) |
| |
12 Shooters, South London
Gallery, London |
| |
New Work UK, Whitechapel
Gallery, London |
| |
Historians of the Present,
Blancpain Art Contemporain, Geneva |
| |
Transmission, Arts
Gallery, London |
| |
Videonale, Museo
Nacional Centro del Arte Reina Sofia, Madrid |
| |
Visual Dislocation,
Museum of Contemporary Art, Banja Luka |
| |
Play Forward, 60th film
festival Locarno |
| |
Retracing Territories,
Fri-Art centre d'art contemporain / Kunsthalle Fribourg, Switzerland |
| |
New Lands, BFI, London |
| |
Swiss Art Awards 2007,
Art 38 Basel, Switzerland |
| |
Visions in the Nunnery,
Bow Arts Trust, London |
| |
'To be continued...'
Was macht Video anders?, Galerie Anita Beckers, Frankfurt |
| |
Sneak Preview, Galerie
Gillian Morris, Berlin |
| |
Videonale, Kunstmuseum
Bonn, Germany |
| |
The Bigger Picture,
Cornerhouse/BBC Big Screen, Manchester |
| 2006 |
Recent Acquisitions,
London Jewish Museum of Art |
| |
Videoland, Artneuland,
Berlin |
| |
Fortnight of Solo Shows,
Ben-Uri Gallery, London |
| |
Repatriating the Ark,
Museum of Garden History, London |
| |
A Shelter in the Time
of Storm, Lichfield Festival |
| |
Swiss Art Awards 2006,
at ART 37 Basel, Switzerland |
| |
Ghosting: In the Dark,
Arnolfini Gallery, Bristol |
| |
Around the World in
Eighty Days, ICA and South London Gallery |
| |
History, City Gallery
Leicester offsite exhibition at New Walk Museum, Leicester |
| |
Cornerhouse, Manchester |
| |
Kunstverein Rosenheim,
Germany |
| 2005 |
Dash Arts Festival, 291 Gallery, London |
| |
Prog:Me, Centro Cultural Telemar,
Rio de Janeiro |
| |
Stets gern für Sie
beschäftigt, Dokumentationszentrum Prora, Germany |
| |
Galerie
Blancpain Stepczynski, Geneva |
| |
State of Mind, LSE, London.
Further
info |
| |
Always glad to be of service,
ifa Galerie, Berlin |
| 2004 |
Something Strange, Aine Art
Museum, Tornio, Finland |
| |
The Well, Danielle Arnaud
Contemporary Art, London |
| |
LaIsle: Ulisses, Teatro
Odisséa, Rio de Janeiro |
| 2003 |
10 Biennial of the Moving Image, Saint-Gervais,
Geneva, Switzerland. |
| |
|
|
|
Awards, Grants & Residencies |
| 2010 |
Pro Helvetia Residency in Cairo |
| 2009 |
Utopiana Residency in Armenia |
| 2009 |
Sommerakademie Zentrum Paul Klee Bern (curated by Tirdad Zolghadr) |
| 2009 |
Swiss Art Award |
| 2008 |
Swiss Art Award |
| 2008 |
Arts Council England, Individual Artist Grant |
| 2007 |
Arts Council England,
Individual Artist Grant |
| 2006 |
Arts Council England,
Individual Artist Grant |
| 2006 |
Henry Moore Foundation
Grant |
| 2005 |
Arts Council, Zurich,
Switzerland (Präsidialdepartement), Publication Grant |
| 2005-2008 |
AHRC Fellowship in the
Creative and Performing Arts |
| 2004 |
Individual Artist Grant,
Arts Council of England, London |
| 2002 |
Exhibition Grant, Arts
Council England, South-East |
| 2001 |
Shortlist for The Adi
Prize for Jewish Expression in Art & Design, Israel |
| 2000 |
Artist in residence
at Wiener Library, London |
| 2000 |
Arts Council of England
/ London Arts Board: Year of the Artist Award |
| |
|
| |
Curatorial Projects |
| quarterly |
Betsey's Salon,co-curator
with Michal Sapir |
| 2007 |
Historians of the Present,
Programme 1, Blancpain Art Contemporain, Geneva |
| 2005 |
The Trouble with Talkies,
ADI Project Space, London, co-curated with other members of Double
agents |
| 2005 |
Still Moving - Moving Still,
seminar series at Photographers Gallery, London, co-curated with
Catherine Yass, download programme |
| |
|
|
|
Selected Publications by Uriel Orlow:
Artist's Books, Monographs, Essays, Catalogues |
| 2009 |
Oddly... newspaper, 40pp |
| 2008 |
How To Do Things with Words and A Camera, in EPISODE - Please and Persuasion in Lens Based Media (Artwords) |
| 2007 |
The One Day Gazette (London: Department of Conductivity and Receptivity) |
| 2007 |
The Benin Project (Londo:
future perfect, 2007) with an essay by Gilane Tawadros |
| 2007 |
'The Dialectical Image'
in The Cinematic, ed. David Campany (MIT/Whitechapel) |
| 2006 |
Deposits (Berlin/Zurich:
The Greenbox Press) Greenbox |
| 2006 |
'Latent Archives, Roving
Lens', in Ghosting: the role of the archive in contemporary
film and video (Picture This: Bristol, 2006) |
| 2006 |
'Untitled' in Chroma,
issue 4, Spring 2006 |
| 2005 |
What the billboard saw / La ville
mode d'emploi, artist's book (Fribourg: Centre d'art contemporain
Fri-Art, 2005) ISBN: 2-9700083-8-6 |
| 2005 |
'Talk is Cheap: Some
Notes on Freedom of Speech and the Ethics of Listening in Route
181 by Michel Khleifi and Eyal Sivan', in 1+1+1, nr.
2 (Double agents: Summer 2005) |
| 2005 |
Stets gern für Sie beschäftigt, catalogue, essays by Alexander Garcia Düttmann and Dan Smith
(Berlin: ifa, 2005) |
| 2004 |
Re: the archive, the image, and
the very dead sheep, with Ruth Maclennan, commissioned by
the School of Advanced Study and The National Archives (London:
Double agents, 2004). ISBN: 0-9548947-0-7 |
| 2003 |
"Threshold of Light-Threshold
of Language", in Borders of Sanctity, ed. by Emily Bilski
and Avigdor Shinan (Israel: Keter, 2003). ISBN: 965-07-1172-4 |
| 2002 |
"Chris Marker: The Archival Powers
of the Image", in Lost in the Archives, ed. by Rebecca Comay
(Toronto: Alphabet City, nr. 8, 2002) ISBN: 0-88784-643-2 |
| 2000 |
"...trailer...", on the Home
2 DVD, published by Home, ed. by Laura Godfrey-Isaacs |
| 1999 |
"Photography-as-Cinema: La Jetée
and the Redemptive Powers of the Image" in Creative Camera,
August/September issue 1999. ISSN: 001-0876 |
| |
|
| |
Selected Reviews
, Articles, Essays on Uriel Orlow |
| |
Bury, Stephen: ‘Archives’,
Art Monthly, no 285, April 2005, p. 33 |
| |
Düttman, Alexander
Garcia: 'Aus dem Gedächtnis' (From Memory), in
Stets gern für Sie beschäftigt... (Berlin: Institut
für Auslandsbeziehungen, 2005). Read |
| |
Findeisen, Ralph: 'Wer
bist du wo', artnet.de, 30/11/06. Read |
| |
Grandjean, Emmanuel: ‘Uriel
Orlow’, Tribune de Genève (Geneva), 2 November 2004 |
| |
Hansen, Rikke: 'Around
the World in Eighty Days', Art Monthly, no. 298, July-August
2006, pp. 26-27 |
| |
Hemken, Kai-Uwe: 'Zwischen
Stimulanz und Sachlichkeit. Notizen zur Gedächtnis-Kunst
von Uriel Orlow' (forthcoming). |
| |
Hunt, Ian: 'Uriel Orlow:
In Concert', Performance (St Prex: Wings, 2006), pp.
2-5 |
| |
Lapp, Axel: Germany
calling, Art Monthly (London), no 285, April 2005, pp. 1-4 |
| |
Lunn, Felicity: Uriel Orlow, Frieze, January 2009. Read |
| |
Morra, Joanne: ‘Thoughts
on Something Strange’, NU: Nordic Art Review, 2004 |
| |
Newman, Michael: 'Archive,
Testimony, and Trace: Uriel Orlow's Housed Memory', in Deposits (forthcoming). |
| |
Sapir, Michal: 'Housed
Memory', Hadoar (New York) Vol. LXXX No. 4 (3230) Jan
5 2001, p.23. Read |
| |
Smith, Dan: 'Housed
Memory', in Stets gern für Sie beschäftigt... (Berlin:
Institut für Auslandsbeziehungen, 2005). Read |
| |
|
|
|
Selected Lectures, Conferences, Talks |
| Ongoing |
Invited speaker at numerous
art colleges, including Art Institute Bournemouth, Brighton University,
Camberwell College of Art, Goldsmiths College,
Loughborouh University, Royal College of Art, Surrey Insitute
of Art & Design,
University of Westminster and others. |
| 2008 |
Please and Persuasion in Lens-Based Media, Tate Britain, London |
| 2008 |
Cultural Memory, University of Kent |
| 2008 |
Ping Pong Art Space, Guangzhou, China |
| 2008 |
Talking Pictures, LSE, London |
| 2008 |
Vicissitudes, School of Advanced Study, London |
| 2007 |
Cødeshop, E:vent Gallery, London |
| 2007 |
The Archival Impulse: Artists and Archives, Tate Britain, London |
| 2007 |
Inventing Methodologies,
Symposium, Goldsmiths College, Univeristy of London |
| 2006 |
Living On Undead: La
Jetée’s Lazarian Protagonist, at CATH congress,
University of Leeds |
| 2006 |
Archive Study Day, Watershed,
Bristol (organised by Picture This) |
| 2006 |
Useful Theory? Critical
Practice, Birkbeck College, University of London |
| 2005 |
On Time, The National Academy
of Fine Art in Oslo, Norway |
| 2005 |
Flicker, Blink and Other Instabilities, Photographers' Gallery, London |
| 2004 |
Unleashing the Archive, Senate
House, School of Advanced Study and The National Archives |
| 2004 |
Elia 8th Biennial Conference: Challenging
the Frame,
Lucerne, Switzerland |
| 2002 |
Moving Images,
Tate Modern, London |
| 1999 |
Silent Movie, Beaconsfield,
London |
| |
|
|
|
Academic Positions |
| 2005- |
Research Fellow, University of
Westminster, London |
| 2000-2005 |
Lecturer, BA/MA
Fine Art, Goldsmiths College, University of London |
| 1997-2005 |
Lecturer, BA Fine Art, Central
Saint Martins College of Art & Design, University of the Arts,
London |
| |
|
| |
Education |
| 1997-2002 |
PhD in Fine Art, The Slade School of
Art & University of the Arts, London |
| 1996-1997 |
Diplôme d'Etudes Supérieures
(Masters degree) in Philosophy, Aesthetics and Literature, University
of Geneva, Switzerland |
| 1993-1996 |
BA (Hons) in Critical Fine Art Practice,
First Class, Central Saint Martins College of Art & Design,
London |
| 1990-1993 |
Hochschule für Gestaltung, Zürich
/ Wimbledon School of Art, London |
| |
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