series of two prints, pigment ink on baryta paper, 44.3 x 74.3 cm, 2010
Works from 2010
Lessepsian Migrants, series of 23 drawings, pigment ink and watercolour on handmade paper, 21 x 29.7 cm each, pastel on wall, 2011
21 pigment prints on Hahnemühle paper, 1 painting, dimensions variable, 2010
4 pigment photographic prints on Hahnemühle baryta paper, framed 70 x 14 cm, 2010
Single channel video on monitor, silent, 6′ 30″ looped, 2010
slide projection, 81 slides, 2010
In Sounds from Beneath a disused coal-mine in East Kent, once populated with workers, machines and the sounds of their activities, is brought back to life through song. The video centers around a choral piece in which ex-miners’ recall in song the subterranean sounds of a working coal mine.
5 C-type photographs, 2010
Aide-mémoire is part travelogue, slide-show, obscure history lesson and immersive sound-scape. It presents a visual chain of association and explores the construction of memory, narrative and national symbols.
Remnants of the Future combines elements of documentary, sci-fi and electro-acoustics. It portrays the precarious existence in a post-Soviet ghost-town, an inverted ruin of the modern that is still waiting to fulfill its utopian ambition of communal living.
Drawings of Death masks of Soviet Dignitaries by Sergey Merkurov.
Pigment pen on paper, diptych, overall 63.5 x 45 cm, 2010
Cover of Francis Fukuyama’s 1991 book ‘The End of History and the Last Man’, 2010